Recognized by Opera News as “one of the finest singers of his generation,” American bass-baritone Ryan McKinny has earned his reputation as an artist with something to say. His relentless curiosity informs riveting character portrayals and beautifully crafted performances, reminding audiences of their shared humanity with characters on stage and screen.

This season, Ryan McKinny brings his commanding bass-baritone and incisive characterization to the opening night of the Metropolitan Opera’s 23/24 season, starring opposite Joyce DiDonato and Susan Graham in Jake Heggie and Terrence McNally’s Dead Man Walking. In addition to an international radio broadcast, the opera is to be simulcast to cinemas in more than 70 countries worldwide as part of the Met Live in HD series. Following an engagement as soloist in Belshazzar’s Feast at the Kennedy Center for the Arts, he makes a dual return to Houston Grand Opera, appearing as Amfortas in Parsifal and Leporello in Don Giovanni. McKinny closes the season with a three-city tour of Jake Heggie and Gene Scheer’s new opera Before It All Goes Dark, commissioned by Music of Remembrance, with world premiere performances in Seattle, San Francisco, and Chicago.

Offstage, McKinny continues to adapt the beauty of his art form to the film screen, collaborating on a documentary with Jamie Barton and Stephanie Blythe. Through his work with Helio Arts, he has commissioned artists to write, direct, and film original stories, leveraging his personal power to help elevate new voices and visions in the classical performing arts world. During the pandemic, he has partnered with artists like J’Nai Bridges, Russell Thomas, John Holiday, and Julia Bullock to create stunning and innovative performances for streaming audiences at Dallas Opera, Houston Grand Opera, Lyric Opera of Chicago, On Site Opera, and the Glimmerglass Festival.

McKinny’s recent debut as Joseph De Rocher in Dead Man Walking at Lyric Opera of Chicago was hailed by the Chicago Tribune as “an indelible performance...an acting tour de force buttressed by a warmly inviting voice.” He has also appeared as the title character in Don Giovanni (Washington National Opera, Lyric Opera of Chicago, Houston Grand Opera, Boston Symphony Orchestra), Escamillo in Carmen (Semperoper Dresden, Deutsche Oper Berlin, Staatsoper Hamburg, Houston Grand Opera), Bluebeard in Bluebeard’s Castle (Boston Lyric Opera), and Mozart’s Figaro (Washington National Opera, Wolf Trap Opera, Houston Grand Opera, Seattle Opera, Metropolitan Opera).

McKinny made a critically acclaimed Bayreuth Festival debut as Amfortas in Parsifal, a role he has performed around the world, including appearances at Argentina’s Teatro Cólon, Deutsche Oper am Rhein, and Dutch National Opera. Other Wagnerian roles include Kurwenal in Tristan und Isolde (Deutsche Oper Berlin, Seattle Opera, Houston Grand Opera, Canadian Opera Company), Biterolf in Tannhäuser and Kothner in Die Meistersinger von Nürnberg, both at the Metropolitan Opera, Wotan in Opéra de Montréal’s Das Rheingold, Donner/Gunther in Wagner’s Ring cycle (Washington National Opera, Boston Symphony Orchestra, Houston Grand Opera), and the titular Dutchman in Der fliegende Holländer (Staatsoper Hamburg, Milwaukee Symphony, Glimmerglass Festival, Hawaii Opera Theater).

McKinny is a frequent guest artist at Los Angeles Opera, where he has sung Scarpia in Tosca, Count Alamaviva in Le nozze di Figaro, Don Basilio in Il barbiere di Siviglia, and Stanley Kowalski in Previn’s A Streetcar Named Desire, opposite Renée Fleming as Blanche DuBois, and at Santa Fe Opera, where he has appeared as Jochanaan in Salome and Oppenheimer in Doctor Atomic. An alumnus of the Houston Grand Opera Studio, Mr. McKinny has made a number of important role debuts on the HGO mainstage, including the iconic title roles of Don Giovanni and Rigoletto. His most recent appearance in Houston was as Jochanaan, for which Houston Press hailed his voice as “an instrument of awe and immense dignity.”

McKinny is a long-time artistic collaborator of composer John Adams and director Peter Sellars, having appeared in Sellars productions of Adams’ Girls of the Golden West (Los Angeles Opera, San Francisco Opera, Dutch National Opera) and Doctor Atomic (Santa Fe Opera), in addition to Adams’ Nixon in China with the Los Angeles Philharmonic. He has also performed under Sellars’ direction in Stravinsky’s Oedipus Rex (Sydney Festival), Tristan und Isolde (Canadian Opera Company), and Shostakovich’s Orango with the London Philharmonia and Los Angeles Philharmonic, the latter comprising Esa-Pekka Salonen’s final concerts as music director.

Other recent orchestral engagements include Beethoven’s Symphony No. 9 and a double bill of Michael Tilson Thomas’ Rilke Songs and Mahler’s Des Knaben Wunderhorn with San Francisco Symphony, Mahler’s Symphony No. 8 and Bernstein’s Mass with Gustavo Dudamel and the Los Angeles Philharmonic, Beethoven’s Symphony No. 9 with Yannick Nézet-Séguin and the Philadelphia Orchestra, Cleveland Orchestra, and National Symphony, Rossini’s Stabat Mater at Grant Park Music Festival, Britten’s War Requiem with Marin Alsop and Baltimore Symphony Orchestra, and Oedipus Rex with Chicago Symphony.

McKinny benefited from early educational opportunities at the Aspen Music Festival, where he sang his first performance of Winterreise accompanied on the piano by Richard Bado, and at the Wolf Trap Opera Company, where he sang Barone di Kelbar in Verdi’s Un giorno di regno, Le Gouverneur in Rossini’s Le comte Ory and Figaro in Le nozze di Figaro. McKinny made his Carnegie Hall debut in Handel’s Messiah with the Musica Sacra Orchestra while still a student at the Juilliard School.

The first recipient of Operalia’s Birgit Nilsson Prize for singing Wagner, McKinny has also received the prestigious George London-Kirsten Flagstad Award, presented by the George London Foundation to a singer undertaking a significant Wagnerian career. McKinny represented the United States in the 2007 BBC Cardiff Singer of the World Competition, where he was a finalist in the Rosenblatt Recital Song Prize, and he was a Grand Finalist in the 2007 Metropolitan Opera National Council Auditions, captured in the film The Audition.